Guitar Nine Columns: Guitarists and Bands

Displaying 505 - 546 of 1135

Enjoy over 25 years of staff columns, guest columns, interviews and more!

June-July 2003
Guitar Nine

Extremely Aggressive Instrumental Metal

June-July 2003
Guitar Nine

Hard Rock Guitarist Seeks Recognition

June-July 2003
Guitar Haus

There were a lot of different things that inspired this CD. Once I put the studio together, I just started recording what I wanted to hear. I love guitar and electronic music. I really wanted to blend the two together more than it`s ever been done.

August-September 2003
Guitar Haus

The first thing that you should care about for a CD release is the music. You have to trust in yourself as a musician and composer and try to come up with interesting music and then find a nice studio to record it in, or you can record at home if you have a nice home studio.

August-September 2003
Guitar Nine

Turkey's Instrumental Guitar Entry

August-September 2003
Guitar Nine

Interactive, Melodic, Contemporary Jazz

August-September 2003
Guitar Nine

Percussive & Melodic Fingerstyle

August-September 2003
Guitar Nine

Stunning Interplay & Synergy

August-September 2003
Guitar Nine

Genre-Bending Acoustic Fingerstyle

August-September 2003
Guitar Nine

Fusion Guitar Meets Ethno, Funk & Hip-Hop Grooves

August-September 2003
Guitar Nine

Finger-Plucked, Multi-Genre Electric Instrumentals

August-September 2003
Guitar Nine

Epic, Virtuosic, Neo-Classical Progressive

August-September 2003
Guitar Nine

Becker-Influenced, Heavy Shred Guitar

August-September 2003
Guitar Nine

Overlooked Metal Master Axeman

October-November 2003
Guitar Nine

Melding Classical, Latin & Flamenco Styles

October-November 2003
Guitar Nine

Modern, Guitar-Driven Hard Rock

October-November 2003
Guitar Nine

Airtight, Funky Grooves & Loose Interplay

October-November 2003
Guitar Nine

Greasing The Soul Of Grungy Blues

October-November 2003
Guitar Nine

Creating Instrumental Poetry

October-November 2003
Guitar Nine

Jazz/Fusion Quartet From Down Under

October-November 2003
Guitar Nine

Conquering The Heavy Metal Market

October-November 2003
Guitar Nine

Guitarist Leads New Organ Trio

October-November 2003
Guitar Nine

Imaginitive, Sophisticated Jazz

October-November 2003
Guitar Nine

Inspired Guitar Over Beatlesque Songcraft

October-November 2003
Guitar Nine

Emerging Artist Wants Your Ears

October-November 2003
Guitar Nine

Taking Neo-Classical To A Higher Level

December-January 2003
Martin Schmidt

I just wanted to explore a mellower kind of psychedelic thing on the last record. There¥s some great stuff on it. It got really great reviews in the United States, all over the place. But the record company actually fell apart and now it¥s not even available.

December-January 2003
Guitar Nine

Heavier Than Typical Progressive Metal

December-January 2003
Guitar Nine

Aggressively Hopped, Full-Bodied Metal

December-January 2003
Guitar Nine

Excellent Guitar Work Supports Rock/Pop Release

December-January 2003
Guitar Nine

Making Jazz The Way It Used To Be Made

December-January 2003
Guitar Nine

Capturing Guitar Acumen In A Pop Format

December-January 2003
Guitar Nine

A Fingerstyle Guitar Showcase

December-January 2003
Guitar Nine

Exploring Neo-Classical Influences

December-January 2003
Guitar Nine

Progressive Metal, Texas-Style

December-January 2003
Guitar Nine

Appealing To Guitarists & Laymen Alike

December-January 2003
Guitar Nine

Guitar-Driven Electronica

December-January 2003
Guitar Nine

Country/Blues Instrumental Mix

December-January 2003
Guitar Nine

Blazing Instrumental Shred From Italy

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