Guitar Nine Columns: Guitarists and Bands

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Enjoy over 25 years of staff columns, guest columns, interviews and more!

December-January 2001
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Modern Beats Grace New Jazz Release

December-January 2001
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Evocative, Guitar-Driven World Music

December-January 2001
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St. Louis Instrumental Rock

December-January 2001
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Polish Instrumentalist Creates Progressive Rock

December-January 2001
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Totally Acoustic Troubadour Music

December-January 2001
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Melodic Fusion/Shred Dominates Class Project

December-January 2001
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Speed Picked Instrumental Metal

December-January 2001
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Adept At Rock, Blues, Metal, Funk & More

December-January 2001
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Slovenia's Instrumental Rock Future

December-January 2001
Guitar Haus

I was on mp3.com for a while, but my opinion of the web is that piracy seems to be the end result of all the freebies, so we are staying with pressings even though they get copied and sent out for free. I`m a professional recording artist, so I`m committed to charging for my work.

December-January 2001
Guitar Haus

I usually will come up with ideas by throwing on my drum machine and just playing riffs, or by sitting in front of the TV and getting inspiration from whatever is on. I wrote the song "The Fugitive" while watching the movie of the same name. All the action was incredible, and the song turned out to be just as intense.

February-March 2002
Guitar Haus

Doing clinics has allowed me go to places and promote myself where I wouldn`t have been able to have even dreamed of going to. I`ve done clinics/workshops/performances in Germany, Spain, Japan, Greece, Sweden, UK, Brazil, Argentina, Italy, France, Canada, Belgium and of course the U.S. Being one of the top clinicians in the U.S. has gotten me to places I only read about in school.

February-March 2002
Guitar Haus

I guess like a fingerprint, no one musician can be exactly alike, so that helps a bit. If I were to make any distinction, it would be that I really respect the tune itself and have always sacrificed technical acrobatics and note bombardment for the sake of melody, depth and feel - which I`ll will admit is a constant battle.

February-March 2002
Guitar Nine

Fusing Latin, Caribbean and North African Influences

February-March 2002
Guitar Nine

Gutty Guitars, Expressive Vocals

February-March 2002
Guitar Nine

Just Enough Brilliant Fingerstyle

February-March 2002
Guitar Nine

Progressive/Metal, Jazz/Fusion Instrumentals

February-March 2002
Guitar Nine

Jackhammer Picking, Dive Bombs Away!

February-March 2002
Guitar Nine

Rock/World/New Age Instrumental Works

February-March 2002
Guitar Nine

New England Based Metal Band Strikes Back

February-March 2002
Guitar Nine

Polish Instrumental Neo-Classical Masterworks

February-March 2002
Guitar Nine

Bluesy Shred, Instrumental Hard Rock

April-May 2002
Guitar Haus

I think gear is important because you want to sound your best. I took it to such an extreme, but that`s the cool thing about the studio - you can always learn and prepare for the time you get to record the next CD.

April-May 2002
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Makin' The Blues His Business

April-May 2002
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Progressive Blended With Americana & Jazz - Progabilly!

April-May 2002
Guitar Nine

High Energy, Christian Heavy Rock

April-May 2002
Guitar Nine

Jazz Guitarist Releases Remarkable CD

April-May 2002
Guitar Nine

Percussive Acoustic Guitarist Plans Career

April-May 2002
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Modern Shred Guitar From Germany

April-May 2002
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Off-The-Scale Experimental Acoustic

April-May 2002
Guitar Nine

Group Blends Modern & Classic Rock

April-May 2002
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Southern-Fried Slide, Rockin' Blues

April-May 2002
Guitar Nine

L.A.'s Guitar-Based Rock/Pop

June-July 2002
Guitar Haus

Liquid Note Records (or LNR) was set up to principally cater for virtuoso instrumental guitar music - though that`s not to rule out the possibility that we`ll also release vocal albums in the future. LNR`s aim is to release albums every bit as good - or, dare I say it, better - than those released by the mighty Shrapnel.

June-July 2002
Guitar Haus

The beauty of being an independent artist is that I don`t die if I don`t score a big record deal! I`ll still have a career. These days with stevefister.com, Guitar 9, and some independent distribution, I can grow and have more control over my musical fate. A new CD means a bright new day, with more to follow!

June-July 2002
Guitar Haus

I`ve been playing guitar for 35 years, and still find it very challenging, and exciting. I work at it every single day, and realize that the real fun and spirit of this entire process of being a professional player is the `journey`, not the `end-game`. Sometimes I feel as if I am just getting started. The most important aspect of learning different styles of music, is one`s genuine love for that particular style.

June-July 2002
Guitar Nine

Melding Jazz Guitar With Experimental Sensibilities

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