Guitar Nine Columns

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Enjoy over 25 years of staff columns, guest columns, interviews and more!

December-January 2002
Guitar Nine

Steel-String Fingerstyle Instrumentals

December-January 2002
Guitar Nine

Rockin' Tinsel Town With Furious Energy

December-January 2002
Guitar Nine

Combining Jazz, Indian Music, Breakbeats & Effects

December-January 2002
Guitar Nine

Applying Wisdom To Blues/Rock

December-January 2002
Guitar Nine

Setting Their Eye On The National Spotlight

December-January 2002
Guitar Nine

Wickedly Raw Blues Unleashed

December-January 2002
Guitar Nine

Legacy Of Great Twin Guitar Rock

December-January 2002
Guitar Nine

Live-In-The-Studio Free Improvisations

December-January 2002
Guitar Nine

Defining England's Instrumental Rock

December-January 2002
Guitar Nine

Music For Fretted & Fretless, Electric & Classical

December-January 2002
Guitar Nine

Blending Jazz/Rock With Pop Arrangements

December-January 2002
Guitar Nine

Instrumental Mayhem From UK Shredder

February-March 2003
Guitar Haus

I sent Lion Music a CD and they emailed me saying they were interested in signing me. I`m really happy to be with Lion. Some of the guitarists I grew up listening to are on that label, and that`s cool for me because it kind of lets me know that I`m finally on their level.

February-March 2003
Christopher Knab

Music industry guru Christopher Knab with the numeric lowdown on getting your music in the stores.

February-March 2003
Chris Brooks

How to expand your soloing arsenal by reworking some familiar ideas.

February-March 2003
Mike Campese: The Fire Within

Sooner or later, you`ll want to make your solos more exciting. Start by making up new scale sequences.

February-March 2003
Salvatore Vecchio

Italian guitarist Salvatore Vecchio with a column on mixing various pentatonic scales to achieve something fresh.

February-March 2003
Sean Mercer

Getting the left hand to keep up with the right hand sweep through hand synchronization.

February-March 2003
David Martone

Don`t be grabby! Taking the take that takes the cake, by Canadian guitarist David Martone.

February-March 2003
Chris Juergensen

One of the things that makes the guitar different from other instruments is the fact that you can incorporate open strings into chord voicings. Here`s how.

February-March 2003
Martin Behr

Applying time-shifting to enhance tapped arpeggios.

February-March 2003
Mark Yodice

Were you thinking, "Gee, there`s got to be a way to spice up a G...?" Zounds! You were right.

February-March 2003
Tim Sweeney

Indie marketing guru Tim Sweeney discusses the use and abuse of Flash.

February-March 2003
Jamie Andreas

Virtuoso classical guitarist and instructor Jamie Andreas talks about penetrating the mystery of time.

February-March 2003
Guitar Nine

Releases Dynamite Chicago Blues CD/DVD

February-March 2003
Guitar Nine

Rhythmic Brazilian Fusion/Jazz/Rock

February-March 2003
Guitar Nine

Over The Edge Instrumental Rock

February-March 2003
Guitar Nine

Reflective Classical/New Age Instrumentals

February-March 2003
Guitar Nine

Atmospheric Electric/Acoustic Instrumentals

February-March 2003
Guitar Nine

Bass-Oriented, Rhythmically Heavy Fusion

February-March 2003
Guitar Nine

Emerging From Hiatus With Jazz Standards

February-March 2003
Guitar Nine

Expanding The Possibilites Of Solo Guitar

February-March 2003
Guitar Nine

Delivering Multi-Genre Instrumentals

April-May 2003
Martin Schmidt

The main thing over here is, we have big media problems. People that do weirder kind of music, jazz, fusion or blues, there is not a big radio market for it, like there is in other countries. As a result of that, people don¥t get to hear the music and they don¥t show up at the gigs.

April-May 2003
Christopher Knab

Music industry guru Christopher Knab discusses critical changes in the way recordings are sold and distributed.

April-May 2003
Paul Nelson

Paul Nelson talks about the Ionian, or Major scale.

April-May 2003
David Martone

Digital Audio Workstation (DAW) updates can be tricky, take it from Canadian guitarist David Martone.

April-May 2003
Chris Juergensen

How Chris satisfies both his financial and artistic needs and how you can too.

April-May 2003
Curtis

How to write something you cannot play, and then playing it.

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