Dan McAvinchey

The Internet itself is a huge jungle. I believe it gives a chance for those who don`t make it via a traditional label or distributor, if they know how to reach the audience.

Let`s face it, it is hard to get a label to pick you up and understand your visions. On the other hand, doing an independent release, you have control and you learn a lot. Sure, it is hard work, but I love to work hard for a dream!

I recently purchased an 18 track digital recorder made by Roland. I love having it and I`m amazed at the quality recordings with relatively little effort. I plan to do the third Delirious Tremor CD with it, as well as most future projects.

The gear we use is a major part of the Plankton sound. We¥re resting on a solid foundation of the classic sounds from the 60¥s and 70¥s, made famous by Hendrix, Cream and Led Zeppelin among others. It¥s basically Strats into various vintage Marshall amps and cabinets.

Liquid Note Records (or LNR) was set up to principally cater for virtuoso instrumental guitar music - though that`s not to rule out the possibility that we`ll also release vocal albums in the future. LNR`s aim is to release albums every bit as good - or, dare I say it, better - than those released by the mighty Shrapnel.

The beauty of being an independent artist is that I don`t die if I don`t score a big record deal! I`ll still have a career. These days with stevefister.com, Guitar 9, and some independent distribution, I can grow and have more control over my musical fate. A new CD means a bright new day, with more to follow!

I`ve been playing guitar for 35 years, and still find it very challenging, and exciting. I work at it every single day, and realize that the real fun and spirit of this entire process of being a professional player is the `journey`, not the `end-game`. Sometimes I feel as if I am just getting started. The most important aspect of learning different styles of music, is one`s genuine love for that particular style.

I think gear is important because you want to sound your best. I took it to such an extreme, but that`s the cool thing about the studio - you can always learn and prepare for the time you get to record the next CD.

Doing clinics has allowed me go to places and promote myself where I wouldn`t have been able to have even dreamed of going to. I`ve done clinics/workshops/performances in Germany, Spain, Japan, Greece, Sweden, UK, Brazil, Argentina, Italy, France, Canada, Belgium and of course the U.S. Being one of the top clinicians in the U.S. has gotten me to places I only read about in school.

I guess like a fingerprint, no one musician can be exactly alike, so that helps a bit. If I were to make any distinction, it would be that I really respect the tune itself and have always sacrificed technical acrobatics and note bombardment for the sake of melody, depth and feel - which I`ll will admit is a constant battle.

I was on mp3.com for a while, but my opinion of the web is that piracy seems to be the end result of all the freebies, so we are staying with pressings even though they get copied and sent out for free. I`m a professional recording artist, so I`m committed to charging for my work.

I usually will come up with ideas by throwing on my drum machine and just playing riffs, or by sitting in front of the TV and getting inspiration from whatever is on. I wrote the song "The Fugitive" while watching the movie of the same name. All the action was incredible, and the song turned out to be just as intense.