Guitarists and Bands

Displaying 73 - 84 of 1135
August-September 1998
Guitar Haus

I knew what I wanted to do but there were no labels dedicated to the guitarist as the artist, but only to the guitarist as a shred meister. I read an interview with guitarist Glenn Phillips, who has released ten albums independently. I realized from his comments (about the music industry) that the only way to reach my goal was to follow his example.

August-September 1998
Guitar Nine

Progressively Minded Guitarist Blends Metal, Funk & Rock

August-September 1998
Guitar Nine

Original Jazz/Rock Arrangements Fuel New Release

August-September 1998
Guitar Nine

Rock Meets Latin Shred For Instrumentalist

August-September 1998
Guitar Nine

New Age Electric Guitarist Crosses Stylistic Boundaries

October-November 1998
Guitar Haus

For Europe my music is not aggressive enough and in the US I didn`t have anybody to present it to. So rather than making so-called industry contacts and "wait until it happens" I decided to do it myself, which turned out to be much faster and got me and my music much more respect. I highly recommend a musical statement such as this to all musicians who intend to be a part of this complex industry.

October-November 1998
Guitar Haus

I hope my music, although there are no words, communicates and reaches people on an emotional, spiritual and entertaining level. I try to incorporate various instrumentation, and contemporary compositional influences.

October-November 1998
Guitar Haus

We have tried to record as much of our playing as we possibly can, both in practice and "jamming" sessions, and when we perform live, to give ourselves some feedback. When playing it`s very difficult to listen to yourself because you`re too busy thinking about what`s going to happen next, while in critical listening you concentrate on the blend of what has just happened. By listening to recordings of ourselves we can pick out the improvisational parts that work well, sound great, or have promise, then try to concentrate on developing them.

October-November 1998
Guitar Nine

Acoustic Progressive Jazz Meets New Age Fusion

October-November 1998
Guitar Nine

Guitarist Blends Progressive & Neo-Classical Influences

October-November 1998
Guitar Nine

Guitarist Makes Mark In Music Mecca

October-November 1998
Guitar Nine

Instrumental Rock For The Hungry Heart

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