Vol. 25, No. 6: April-May 2021
The purpose of the Guitar Nine' Home Studio Registry is to allow owners and users of home/project studios to communicate with other musicians who are doing similar projects and work.
| Name |
Primary use |
Secondary use | Guitars | Site |
|---|---|---|---|---|
| Byron Nemeth | Commercial work | Composition | Fender Hendrix VoodooStrat, Fender Blackmore Strat, PRS Custom 24, Jackson Randy Rhoades, Yamaha 12-string acustic, Morris Classical, Ovation 6-String snakskin, Ibanez Jem, Aria Pro II bass, Epiphone mandolins | Yes |
| Tony Maggio | Commercial work | Other | ||
| Mike Gilland | Commercial work | Other | Taylor 314 ce; Ibanez Artcore 75; Yamaha AXP-6NA classical; a Schecter Bass; I also play a Magnum SD-10 Pro Select pedal steel guitar. I have a hand-made classical guitar, made in Brooklyn, NY in the 70s. | Yes |
| Preston Pope | Commercial work | Recording | Yes | |
| Roy Vogt | Commercial work | Recording | Modulus fretted and fretless Quantum 6s, Carvin Fretted and Fretless 6s, Conklin 7 string bass, Fender Jazz bass, Fender Mustang bass with flatwounds, Alembic bass, Hotwire fretless 6, Hungarian and Czech upright basses, Carruthers Electric Upright, Chapman Stick | Yes |
| Jeff Earley | Commercial work | Commercial work | - | |
| Sergio Molina Vindas | Commercial work | Composition | Yamaha Let it Rock 1212,Kay Nylon, Valencia electroacoustic. Takamine POD XT, VOX AC15 | Yes |
| Mekaal Hasan | Commercial work | Recording | Prs custom,fender strats,takamine nylon string classical,ovation steel string, fender jazz bass,samick hollowbody,jackson soloist,steinberger ,ernie ball music man, parker fly 1 and 2,taylor acoustics | Yes |
| Adrian Finn | Commercial work | Other | Fender Starcaster | Yes |
| Joe Messina | Commercial work | Demos | Gibson Les Paul Standard, Fender Stratocaster, Ibanez Acoustic, Marshall and Vox combo amps | |
| Ken Cromie | Commercial work | Demos | No | Yes |
| Roy A. Clark | Commercial work | Recording | Yes | |
| Nick Wood | Commercial work | Recording | Fender Strats, Charvel and Ibanez Jem 777, 1970's Gibson Les Paul | Yes |
| Dean Gaspardo | Commercial work | Recording | Jackson, Ibanez, Kramer, Galveston, Fender Bass | Yes |
| Ben Cove | Commercial work | Demos | Les paul strat | |
| Gabriel Perales | Commercial work | Recording | Yamaha RGX421D modified with EMGs, Ibanez Jem, Yamaha APX 4a semi acustic, Yamaha Pacifica Custom, Pacifica Tele, Ibanez 7 strings, Yamaha AEX Nylon guitar. | |
| Ron Wyatt | Commercial work | Composition | Es135,lespaul,fender telecaster,martin d15,FENDER JAZZ BASS, OSCAR SMIDT WASHBURN CLASSICAL | |
| Joe Burba | Commercial work | Composition | Epiphone Sheraton, Fender Strat | Yes |
| Ed Cupinski | Commercial work | Jamming/Fun | 2004-Melancon P90 Artist or Custom Artist T, Various PRS and Martin Guitars. 1997-PRS CE Maple top (24 tobacco burs), PRS artist III (royal blue), PRS McCarty Ibanez RG560 Lots a boogies | Yes |
| Jeffrey Dooley | Commercial work | Recording | Gibson and Martin | |
| Frederic Breitwieser | Commercial work | Commercial work | Guitars: Carvin "V", Casio Midi Guitar, Yamaha G10C, Les Paul, Fender Strat Bass: Fender Prophecy II, Steinberger Headless | Yes |
| Tim Atkinson | Commercial work | Composition | Ernie ball musicman john petrucci,Ibanez js1000, B.C rich Bich, Alvarz dana scoop, abel axe, jem77hp, fender strat...... | Yes |
| Adrian K. Moore | Commercial work | Demos | ||
| Jim O'Neill | Commercial work | Jamming/Fun | Provided by artist. | Yes |
| Hermenegildo Pena | Commercial work | Recording | Parker,Gibson,Fender Precision Jazz Bass Speacial Frettless,Fender Precision Vintage,Carvin 6 string Bass. | Yes |
| Bruno Talledo | Commercial work | Recording | (2) ibanez,yamaha, moser | Yes |
| Mike Galiatsos | Commercial work | Recording | Gibson fender yamaha | Yes |
| Guido Melis | Commercial work | Demos | Rickenbacker 4001 - Giniski 5 strings bass | Yes |
| Zlatko Suslevski | Commercial work | Demos | ||
| Jim Crew | Commercial work | Recording | Yamaha, Fender, Guild | Yes |
| Tony Hubert | Commercial work | Jamming/Fun | Ibanez Black Cherry Sabre, Takamine Classical, Ibanez Roadstar | Yes |
| Daniel Elmes | Commercial work | Composition | 1964 Fender Stratocaster, 1997 Gibson L5, Martin D16 | Yes |
| Vance Dylan | Commercial work | Recording | Olympic 4 piece Drum Kit, Mesa Boogie Studio Series 25W combo amp, Mesa Boogie 50 Calibre Head with 4x10 25th Anniversary Marshall Cabinet. Full PA and headphone monitor system for rehearsals. | Yes |
| Grant Menmuir | Commercial work | Commercial work | ESP ltd AX 350, BC Rich Mockingbird, Jackson Kelly, Fender Stratocaster. | Yes |
| Laban Johnson | Commercial work | Composition | ||
| Himanshu Pandey | Commercial work | Composition | One custom made electro acoustic and one custom made electric | Yes |
| Gabriel Landa Tavizon | Commercial work | Demos | Fender jazz man, carlo robely bps prof. bass, | |
| Garry O'Neal | Commercial work | Demos | Yes | |
| John J. Kliner | Commercial work | Demos | Anything a gtr player brings in. Im a drummer. | |
| Ray Chaput | Commercial work | Demos | Carvin, Fender, Guild, Casio MG-510 and Yamaha GI-10 MIDI guitars Fender Jazz Bass, | Yes |
| Chip Viering | Commercial work | Demos | Peavey Wolfgang, Kramer strat (from 1982) and a 1978 Les Paul Standard | |
| Mitch Cameron | Commercial work | Recording | DEAN ELECTRIC,TAKAMINE ACCOUSTIC | |
| Dave O'Hare | Jamming/Fun | Recording | Fender Riccho (crap) | Yes |
| Timothy Law Snyder | Jamming/Fun | Practice/Rehearsal | Hamer "Sunburst"! Old Ovation Acoustic; American Standard Strat | |
| Denny Ballard | Jamming/Fun | Commercial work | I use a Martin HD28M for acoustic recording. That's a mahogany version of an HD28. I find mahogany is more balanced and works better in recording situations. I had to thin my herd when hard times hit, but things are getting better. I recently bought a Huss and Dalton OOO Custom, all mahogany top, back and sides. For electric projects, I play one of two souped up Fender telecasters. One was built by Joe Barden and has 3 Barden pickups. It's very versatile and I can get just about any sound I want with a little tweaking. The Barden humbuckers have a marvelous tone and there is no hum. The other is a Fender custom shop Baja telecaster. It has a custom Twisted Tele neck pickup and a custom Broadcaster bridge pickup. It's got more twang than the other tele and I'm really beginning to like the sound of it. | Yes |
| Emmitt Muckles | Jamming/Fun | Composition | 72 Fender telecaster re-issue, and a black modified Squire stratocaster | Yes |
| Don Kirby Jr. | Jamming/Fun | Composition | Ibanez, Fender Strat and ESP electrics. Ovation and Martin acoustics. | |
| John Friesen | Jamming/Fun | |||
| Michael Geis | Jamming/Fun | Demos | Fender Strat Deluxe 1992, Gibson Les Paul by Epiphone, Terada EST 1912 Western,Eugene Spanish Acustic | Yes |
| Steven Jackson | Jamming/Fun | Demos | Yamaha pacifica 112, hughes and kettner 60 watt amp, marshall AVT 50, fender frontman, V-amp 2 |