Vol. 25, No. 2: August-September 2020
The purpose of the Guitar Nine' Home Studio Registry is to allow owners and users of home/project studios to communicate with other musicians who are doing similar projects and work.
| Name | Primary use |
Secondary use |
Guitars | Site |
|---|---|---|---|---|
| Lee Fox | Demos | Commercial work | Ibanez, Tom Anderson, Fender | Yes |
| Gustavo Serratos | Recording | Commercial work | Gibson, Ibanez | Yes |
| Chris Roy | Recording | Commercial work | Les Paul Studio, various Fender Strats, Ibanez, etc. | Yes |
| Paul Tumolo | Recording | Commercial work | Martin D18, Fender Presision Bass | Yes |
| Chris Hopkins | Composition | Commercial work | 2 acoustic | |
| Matt Seiler | Recording | Commercial work | Carvin DC400, clear over quilted maple, gold hardware. Carvin DC200 blueburst, silver hardware. Carvin bolt guitar, greenburst and no inlays on the rosewood neck. Carvin LB75 bass. '62 Fender Duo-Sonic, Ephiphone PR15E, Ovation 12-string, Yamaha CG-100A classical, Kramer Focus 2000 and 3000. Just added are a Danelectro doubleneck with a regular 6-string and a baritone neck and a new Epiphone Emperor II Joe Pass model. Bridge and tailpiece are from Benedetto's line (and I made 'em myself). | |
| Christian Petersen | Composition | Commercial work | Fender Ultra Plus Stratocaster, Ibanez RG 270, Washburn WG-587v (7 string), Ibanez RG 770, Yamaha Electroacoustic. | Yes |
| Richard Dolmat | Other | Commercial work | Ibanez, Fenders | Yes |
| Ken Totushek | Recording | Commercial work | Many varied high end, hand built acoustic guitars, lap steel, resonator, mandolin, and ukeleles. | Yes |
| Elliot Cox | Recording | Commercial work | Yes | |
| David Banner | Composition | Commercial work | ||
| Harry Evans | Recording | Commercial work | 1963 jazzmaster, 1970 SG with bigsby, 1977 gibson RD custom, ibanez acoustic, | Yes |
| Roger T. Taylor | Demos | Commercial work | Guitorgan, Jazzmaster. Would like to hear from other Guitorgan owners | Yes |
| Nathan Dickson | Other | Commercial work | Still have the Martin HD-28 | Yes |
| Larry Holloway | Composition | Commercial work | Fender Stratocaster,G&L, Rickenbacker 4001, Guild 6 and 12 String, Ovation Acoustic bass, Mandolin | |
| Craig McDonald | Recording | Commercial work | I only use 'Ibanez' guitars. I have played these guitars for years and have a collection of 6 x 'RG' models. All have been slightly modified (pickups / switching). | Yes |
| Frederic Breitwieser | Commercial work | Commercial work | Guitars: Carvin "V", Casio Midi Guitar, Yamaha G10C, Les Paul, Fender Strat Bass: Fender Prophecy II, Steinberger Headless | Yes |
| Jack Morton | Recording | Commercial work | LES PAULS/GIBSON NIGHTHAWK/GUILD | Yes |
| Eric Roberts | Composition | Commercial work | Godin Multiac, Carvin NS-1, Ramirez Classical, Picado Classical, Ibanez GB-10, Takamine EG-10C, Baby Taylor, Godin Acoustibass, Zeta Crossover Bass | Yes |
| David Dean | Demos | Commercial work | Usa 62 reissue Strat, 73 Tele custom , les paul copy, washburn acoustic super reverb, acoustic g110t | |
| Kevin A. Smith | Composition | Commercial work | Main axe: '81 Squire strat named Roxanne - a very musical guitar (EMG SA-SA-85) Fender American Standard Strat - stock Godin 5 string bass with EMGs (also a 1967 Gibson J-50) | Yes |
| Danny Johnson | Recording | Commercial work | Gibson Les Pauls, fender Telecasters and Strats, Paul reed Smith's, Carvin Guitars, Taylor Accoustic's several Misc. brands | Yes |
| Adam Kittle | Composition | Commercial work | Steinberger XT-2 bass and GT-2 6-string; Memphis 6-string strat, 4-string bass; Ibanez AEG-10 acoustic-electric. | Yes |
| Carlos San Segundo | Demos | Commercial work | Gibson Les Paul Standard Hohner SG Custom Larrivee R500 | Yes |
| John Deff | Recording | Commercial work | Ibanez S-Classic, Yamaha SX fretless bass | Yes |
| Mark Cundiff | Recording | Commercial work | Fender Stratocaster, Gibson Les Paul Standard Flame-top, Yamaha 6-string acoustic, Yamaha 12-string acoustic, Yamaha nylon-string classical, Keilani soprano ukulele (purchased while in Hawaii), Fender Precision Bass. | Yes |
| Paul Draper | Recording | Commercial work | Yes | |
| Jamie Garner | Demos | Commercial work | Lp deluxe, lp special, tele b-bender, tele am std, guild dreadnought,'67 mustang bass, p-bass, j-bass, strat, epiphone casino, danelectro baritone, epiphone wildkat, danelectro longhorn, fender acoustic bass, epiphone chet atkins. amps- '63 fender tremolux, kendrick 2112, gibson goldtone grvs30,swr mf15, ampeg b50, fender deluxe, hartke 1400, fender '71 bassman | Yes |
| Jon Pileggi | Demos | Commercial work | Fender Jeff Beck 1991 Strat, Gretsch 5622T, Fender USA Telecaster, Old 1448 Silvertone, Takamine 12 string, Taylor 310 . Gibson Les Paul, , Fender Bass. Gretsch guitar banjo 6 string, Fender classical, Kay Mandolin. | Yes |
| David Pinson | Demos | Commercial work | Ovation, Fender | Yes |
| Grant Menmuir | Commercial work | Commercial work | ESP ltd AX 350, BC Rich Mockingbird, Jackson Kelly, Fender Stratocaster. | Yes |
| David Iwinski | Recording | Commercial work | Fender American Jazzmaster w/ SD Antiquity II picks, Telecaster w/ Lindy Fralin picks, Legend Les Paul w/ SD SB1s, Epiphone Les Paul Gold Top w/ SD Antiquity picks, Custom Strat w/ semi hollow body and Kinnman picks, all guitars modified electronics and graphtech saddles. | Yes |
| David Simmons | Recording | Commercial work | Cheap Johnson elec/acoustic, Japanese Fender Squire, Maton archtop, Del Vecchio Classical, Yammy bass guitar. | Yes |
| Sean Walsh | Demos | Commercial work | '75 Fender Strat, Ovation Acoustic and Various electrics, acoustics and basses. | |
| Matt Gordon | Demos | Commercial work | 63 Gibson ES-335, Pacifica 921, 61 Fender Stratocaster, Taylor 810CE, Yamaha GC30 Classical, Fender DG20CE, Pacifica 112 | |
| Andi Gisler | Recording | Commercial work | Fender '57 reissue Strat, Japan 50ies Telecaster, 1936 Gibson EH-150 lap steel, 1959 Gibson LG-2, Danelectro Convertible + 12-String | Yes |
| Istvan Peter B'Racz | Composition | Commercial work | Takamine Explorer copy (GX-100), Strat copy, Sometimes a vintage Gibson Flying V, an old semi-broken ukelele guitar with two very detuned strings (used more as a quasi-pitched perc instrument). | Yes |
| Albert DeGroft | Recording | Commercial work | 1968 Gibson ES335, 1970's Ovation | Yes |
| Jonathan Kirwin | Recording | Commercial work | FENDER,LES PUAL,LADO CUSTOMS just to name a few | Yes |
| Mark Swords | Demos | Commercial work | Gibson Melodymaker, Ibanez Iceman, Ibanez Universe, assortment of Fenders, Alvarez Bass, Peavey TL-6 Bass | Yes |
| David Grant | Other | Commercial work | Yes | |
| Angkoro Soekoro | Composition | Commercial work | Taylor 314CE, Taylor 655CE, Fender Stratocaster Standard. All guitars have had custom neck and fingerboard work to emulate fine tuned and precisioned intonated studio instruments | |
| David Ruby | Recording | Commercial work | Yes | |
| Mike Phillips | Recording | Commercial work | Takamine 1983, cutaway with inside pickup. Burns 2002 Brian May Red Special. | Yes |
| Richard Wilson | Recording | Commercial work | Tetecaster, Joe Pass Emperier II, FG- Yahama, DY-75 Alverez Yairi Guild Hollow body Bass, Washburn M-20 Mandolin | Yes |
| Nick Day | Recording | Commercial work | Gibsons, Fenders, Washburns and Taylors | Yes |
| Thomas C. Van Dyke | Recording | Commercial work | Schecter, Fender, C8 winner, Dan Electro | |
| Denny Ballard | Jamming/Fun | Commercial work | I use a Martin HD28M for acoustic recording. That's a mahogany version of an HD28. I find mahogany is more balanced and works better in recording situations. I had to thin my herd when hard times hit, but things are getting better. I recently bought a Huss and Dalton OOO Custom, all mahogany top, back and sides. For electric projects, I play one of two souped up Fender telecasters. One was built by Joe Barden and has 3 Barden pickups. It's very versatile and I can get just about any sound I want with a little tweaking. The Barden humbuckers have a marvelous tone and there is no hum. The other is a Fender custom shop Baja telecaster. It has a custom Twisted Tele neck pickup and a custom Broadcaster bridge pickup. It's got more twang than the other tele and I'm really beginning to like the sound of it. | Yes |
| Rod L. Short | Demos | Commercial work | Martin HD-35..... Various electrics( mostly vintage Fenders and Gibsons) | |
| John Naylor | Demos | Commercial work | Ovation Celebrity Deluxe, Fender 70's Strat | Yes |