April-May 2006

Vol. 10, No. 6: April-May 2006
April Brings Long-Awaited Guitar Releases
Number Of Instrumental Titles Available Tops 1840

Welcome to the April edition of Guitar Nine's online magazine. We're juiced about all the new music we've added over the past two months, as well as some of the anxiously awaited compilations, reissues and international releases now available. We've added an amazing 51 titles to the site, including instrumental CDs by Germano Seggio, Hpcrazy, The Balls, Frank Gambale, Andre Tonelli, Niels Vejlyt, Coste Apetrea, Dave LaRue, Ino Kang, Joe Satriani, Michael Orlando, Tony MacAlpine, Vinnie Moore, Larry Carlton, Nickos Kapilidis & The Jazz Utopia, Jill Yan, Jimmy Mac, Cornelissen/Vollink, Hightower, Next Order, Freddie Fox, DC Slater, Micheal Skinner, Rippingtons, Robert Sabin, Jon Beedle, Steve Khan, Rez, John Raptis, Andrew Roudny, Whiteful Jazz Quartet, Kada Ad Libitum, D Sound, Mindflowers, Bob Savage, Andre Kunz, Daniel Ward, Roger Matura, Alien Guitar Abduction, Allen Robot Van Wert, Hands On Strings, Stephan Bormann Band, Michel Sajrawy, Dagobert Bohm, Dago, James Hogan, Cinematik, Chambers/Berlin/Fiuczynski and Christopher Dean. You can now listen to and order 1850 instrumental releases by 1049 different artists. Visit the Instrumental Guitar Showcase to browse and listen to all of these dynamic recordings, or check out our recommendations page. If you've released an instrumental project, get all the details about merchandising through Guitar Nine, and decide if it's right for your music (if you've released a guitar-oriented CD with vocals, click here).

Dan McAvinchey
Guitar Haus

How to keep from destroying your confidence by setting realistic expectations for your recording projects.

Guitar Nine Newsroom
Guitar Nine Newsroom

Guitar Nine Records April-May 2006 newsletter.

Alan Williamson
Alan Williamson

UK guitarist Alan Williamson shows you how to use more fingers, tones and frets in your licks.

Jason Sadites
Jason Sadites

Can you deliver interesting and musical solos? Do it by looking for ways to add more variety.

Mike Campese
Mike Campese: The Fire Within

Mike Campese serves up a blended scale you can use to set your music apart from the ordinary.

Jamie Andreas
Jamie Andreas

Virtuoso classical guitarist and instructor Jamie Andreas with an insightful answer to a common question.

Will Landrum
Will Landrum

G9er Will Landrum is back with more ways to use the beloved arpreggio.

Danny Jones
Danny Jones

Danny Jones is back with licks that will help you break the scale pattern syndrome.

Tim Sweeney
Tim Sweeney

Motivation. Where did it go? Indie marketing guru Tim Sweeney can help you reconnect with your passion.

Tom Hess
Tom Hess Opus 2

Here`s how to spark the inspirational flame, and reignite your inner fire.

Christopher Knab
Christopher Knab

Music industry consultant Christopher Knab discusses what can happen if you get the industry`s attention.

Sean Farrington
Sean Farrington

Strategies that successful independent artists use day in and day out to profit from their passion for music.

David Martone
David Martone

Canadian guitarist David Martone talks about easy drum sound replacement.

Guitar Nine
Guitar Nine

An Edge Rock Instrumental Band

Guitar Nine
Guitar Nine

Easy Flowing Rock, Blues, Country Mix

Guitar Nine
Guitar Nine

Driven Towards Neo-Classical Excellence

Guitar Nine
Guitar Nine

Instrumental Rocker Seeks Deal

Guitar Nine
Guitar Nine

Two-Handed Instrumental Fusion

Dan McAvinchey
Guitar Haus

I just love instrumental guitar music. There is something great about hearing somebody write music that will keep people`s interest without having the vocal to rely on.

Guitar Nine
Guitar Nine

Mad Sammarinese Instrumentalist

Martin Schmidt
Martin Schmidt

Instrumental music kind of reminds me of little orchestra or classical pieces, because there`s so much information going on. It`s a challenge to do, it`s really hard to do that stuff.

Martin Schmidt
Martin Schmidt

I started to get calls from different record labels, they had interest in me, but at the end of the day the didn`t know what to do with me, because it`s not really jazz, although it`s jazzy, it`s not really blues, but bluesy.

Guitar Nine
Guitar Nine

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