Is it really true? Will you get 30,000,000 music fans checking out your music just by creating a web page? Let's separate the hype from the reality.
The Guitar Player's Resource
Welcome to the June edition of Guitar Nine's on-line magazine. June of 1996 marked our entry into cyberspace, and after fifteen great years, Guitar Nine has become the leader in providing the widest selection of instrumental guitar recordings, news and information. To celebrate, we've added another 16 new releases to the site, including instrumental CDs by the Falcons, Guitarsnake, Jackson/Parrott, Next Order, Jeff Bowders, Endel Rivers, Lars Eric Mattsson, Bryan Beller, Travis Larson Band, Burning Gums, Adam Kestler, Philippe Thibaut and Ron Jackson. You can now listen to and order 1755 instrumental releases by 1122 different artists.
Is it really true? Will you get 30,000,000 music fans checking out your music just by creating a web page? Let's separate the hype from the reality.
Mike is back to take your scales up to a whole new level.
Digging in with practical application of the pentatonic scale.
Oscar plays devil`s advocate in the matter of a music, or music business, education.
Playing with another guitarist can open up a lot of new musical options.
Ten of the very best guitar kids from the past two months in a video format. You can submit your most terrifying videos.
Music industry guru Christopher Knab discusses three important ingredients necessary for working your record to radio.
Here are some tips in order to gain a successful live show following.
Indie marketing guru Tim Sweeney promotes the idea of the road less traveled.
There are many pitfalls on the path to success, and that is particularly true in the music industry.
Pursuing your lead guitar development by reducing the major scale to modes (or inversions) in the name of improvisation.
Modern, `Greenwich Village Style` Fusion
Soliciting Progressive Instrumental Fans
Hard Rock Guitarist Seeks Recognition
Interactive, Melodic, Contemporary Jazz
I got picked up by Mike (McDowell) at Shred Guy; apparently Mike was interested in adding a "fusion" flavor to his rather "metal" guitar-oriented label, and my sound seduced him.
