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Enjoy over 20 years of staff columns, guest columns, interviews and more!
The beautiful part about the tempered music scale lies in it`s flexibility. One of Ken`s favorite tricks is to take one shape, and use it to move up or down the fretboard in a linear way. The similarities in chord shapes will allow you to do the same.
Guitarist Paul Kuntz is back with some fresh ideas on getting out of playing `in the box` and save untold wear and tear on your frets.
British guitarist David Knopfler recalls the days when the Stratocaster was held in esteem as the instrument of choice--if you could afford one, that is. A tale of how dreams can come true, and how old feelings never quite die.
Instrumentalist Joe Bochar serves up a thinly disguised look at chromatics.
Jason Pruett offers his light-hearted yet insightful views on getting the most from your guitar and busting a playing rut.
British guitarist David Knopfler has a few words to say about the separate lead guitarist vs. rhythm guitarist identities.
If you`ve got the urge to explore jazz after a background in rock, you`ll need to understand the differences between the two styles. Guitarist Sean Gill gives you the keys to unlock the door to jazz.
Houston guitarist Rusty Cooley figures that with ten fingers, there`s got to be times when you can use over half of them to express your ideas.
New Jersey guitarist Paul Kuntz is back and aside from a ravenous appetite, he`s got plans to teach you all about tuplets and fitting the notes to the rhythm.
Just can`t get enough info about modes, can you? Guitarist Tony Young relates modes to chord progressions.
New Jersey guitarist Paul Kuntz takes time out from lunch to give you his assurance that there is life beyond the blues scale.
Don`t let your current concept of reality dominate your guitar playing.
Do you still think the Aeolian mode is a ship from Star Trek? Are you comfortable discussing Mixolydian and Phrygian modes in mixed company? Tony Young cuts to the heart of modes.
An original work (part one of two preludes) composed for solo electric guitar, in tabulature and standard notation.
An original work composed for solo classical guitar, in tabulature and standard notation.
Learn some substitutions for those tried and true barre chords. How the knowledge of triads can help you come up with original sounding guitar parts.
An arrangement of the Tchaikovsky piece for solo guitar, in tabulature and standard notation.
Some creative uses of digital delay when writing or recording.
Tips for playing arpeggiated chord progressions using string skipping.
Arnold Schulman discusses lyric writing for the beginner.