Guitar Nine Columns

Displaying 2311 - 2352 of 4220

Enjoy over 25 years of staff columns, guest columns, interviews and more!

August-September 2013
Sam Dawson

UK-based guitarist Sam Dawson will help to eliminate beginning fears and get you playing some picking patterns in no time.

August-September 2013
Jeremy Rouse

Two notes together can move in more ways than up and down together.

August-September 2013
Mike Philippov

Guitar exercises, in and of themselves, do not guarantee (or produce) massive progress in your musical skills.

August-September 2013
Ryan Buckner

Unity and variety in songwriting are essential to keeping a song balanced and maintaining interest throughout the entire piece of music.

August-September 2013
Guitar Nine

Brilliant Macedonian Axeman

August-September 2013
Guitar Nine

Beautifully Intimate Fingerstyle

August-September 2013
Guitar Nine

Ripping Hard Rock From Finland

August-September 2013
Guitar Nine

Instrumental Rocker Finds Niche

August-September 2013
Guitar Nine Newsroom

Guitar Nine's August-September 2013 newsletter.

October-November 2013
Mike Campese: The Fire Within

Mike Campese is back with excerpts from his latest CD, "Chameleon".

October-November 2013
Tom Hess Opus 2

Many guitarists play truly inspiring guitar phrases without playing in a very technical manner, and you can do this to when you follow the steps in this article.

October-November 2013
Mike Philippov

Mike`s tips are designed to help you maximize your guitar practice efficiency and effectiveness

October-November 2013
Jamie Andreas

Opening your mind to new ideas and new intuitions about ways to improve your guitar playing.

October-November 2013
Christopher Knab

Music industry guru Christopher Knab reminds musicians that streaming music is still in its infancy.

October-November 2013
Ryan Buckner

It does not necessarily have to take you a very long time to gain the skills needed to accurately express yourself through music.

October-November 2013
Dylan Kay

There`s always a lot of discussion about what to practice, but you should also consider how to practice.

October-November 2013
Jeremy Rouse

An arrangement for fingerstyle guitar from the 1978 horror flick, written by the director John Carpenter.

October-November 2013
Guitar Nine

Naughty, Wicked Fingerstyle

October-November 2013
Guitar Nine

Look What The Stork Brought

October-November 2013
Guitar Nine Newsroom

Guitar Nine's October-November 2013 newsletter.

December-January 2013
Tom Hess Opus 2

Perhaps you have considered taking lessons but because someone you know had a disappointing experience with a teacher, you began to doubt if lessons are worth investing your time and money.

December-January 2013
Mike Campese: The Fire Within

Mike Campese is back with ideas on how to compose - anytime, anywhere.

December-January 2013
Ryan Buckner

There are four mistakes that you can fix that will drastically increase your musical creativity and help you come up with songwriting ideas much faster.

December-January 2013
Tommaso Zillio

You might think that the pentatonic scale is just an easy scale but with no depth - well, you are wrong.

December-January 2013
Christopher Knab

Music industry guru Christopher Knab with a few words of advice to one over-exuberant, well-intentioned,would-be music industry professional.

December-January 2013
Jean-Pierre Zammit

Pinpointing some very important factors that will help the student successfully go through and become a serious guitarist.

December-January 2013
Tom Hess Opus 2

Perhaps you have considered taking lessons but because someone you know had a disappointing experience with a teacher, you began to doubt if lessons are worth investing your time and money.

December-January 2013
Guitar Nine

Cross-cultural Fusion Of Music

December-January 2013
Guitar Nine

Capturing His Fiery Playing

December-January 2013
Guitar Nine

Forging An Eclectic Sound

December-January 2013
Guitar Nine Newsroom

Guitar Nine's December-January 2013 newsletter.

February-March 2014
Mike Campese: The Fire Within

Mike Campese is back with additional ideas on how to compose - anytime, anywhere.

February-March 2014
Tom Hess Opus 2

Tom Hess talks about how you can by use creative rhythm guitar practice methods to write your own rock and metal guitar riffs.

February-March 2014
Tommaso Zillio

A lot has been written on Blues soloing, but preciously little on creative Blues rhythm playing. Don`t get caught playing the usual three power chords.

February-March 2014
Tim Sweeney

Indie marketing guru Tim Sweeney has advice for artists on ways to cope with the annual holiday seasons.

February-March 2014
Christopher Knab

Music industry guru Christopher Knab gives a basic introduction to your rights and other issues regarding your original songs and recordings.

February-March 2014
Jean-Pierre Zammit

Jean-Pierre teaches you about modes, with a small introduction and the `why` and `how` of their existence

February-March 2014
Tom Hess Opus 2

Using the same guitar soloing approach as everyone else can only lead to one result: a guitar solo that has a very similar sound to nearly every other guitar solo out there.

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