Guitar Nine Columns: Guest Columnists

Displaying 337 - 378 of 1218

Enjoy over 25 years of staff columns, guest columns, interviews and more!

February-March 2002
Francesco Fareri

Another fistful of double arpeggio ideas.

February-March 2002
Mike Campese: The Fire Within

Mike returns with the second part of his column on coordinating your hands, while developing speed and accuracy.

February-March 2002
David Martone

You can bet your low `E` string that Canadian guitarist David Martone can improve your bottom end.

February-March 2002
Tom Hess Opus 2

Neo-classical guitarist Tom Hess will break you of your tendency to quit.

February-March 2002
Miguel Mega

You need to get `out` more, well, at least your playing does.

February-March 2002
Jamie Andreas

Virtuoso classical guitarist and instructor Jamie Andreas offers the benefits of a good review program in your practice regimen.

February-March 2002
Tim Sweeney

Indie marketing guru Tim Sweeney chips in on the makings of a great stage show.

April-May 2002
Christopher Knab

Music industry guru Christopher Knab offers observations that should be taken as wake-up calls about establishing your career.

April-May 2002
David Martone

Getting rid of those nasty sonic holes in the center of your mix, by Canadian guitarist David Martone.

April-May 2002
Greigg Fraser

Canadian guitarist Greigg Fraser spills the beans on essential reading for guitar students everywhere.

April-May 2002
Steve Pappas

Fingerstylist Steve Pappas arranges a beautiful Irish ballad for guitar.

April-May 2002
Gerald Klickstein

The formulation, explanation and practical use of a new guitar tuning method.

April-May 2002
Gianluca Verrengia

How to play the same rhythm-melodic sequence on the same beat, starting on a different sixteenth each time.

April-May 2002
David Nevue

Musician and author David Nevue answers a very common question, "How can I sell more CDs on the Internet?"

April-May 2002
Scott Morris

A brand new column by Billboard Magazine Top Rated Instructor Scott Morris.

April-May 2002
Colin Mandel

A look at ways to create scales that are not taught, but invented.

April-May 2002
Mike Campese: The Fire Within

Mike returns with some ideas on how to incorporate half-tones and other non-scale notes into your lines.

April-May 2002
Tom Hess Opus 2

Neo-classical guitarist Tom Hess teaches you the important aspects of a good string shake.

April-May 2002
Miguel Mega

A bunch of ways to spice up our old pal: the Dorian mode.

April-May 2002
Jamie Andreas

Virtuoso classical guitarist and instructor Jamie Andreas gives great advice to both new and experienced guitar instructors.

April-May 2002
Tim Sweeney

Indie marketing guru Tim Sweeney on handling the inevitable - rejection,

June-July 2002
Tom Hess Opus 2

Neo-classical guitarist Tom Hess shows you how to select a good guitar instructor (and how to avoid a bad one).

June-July 2002
Mike Campese: The Fire Within

Mike returns with some fun arpeggio licks he uses in his own playing.

June-July 2002
Greg Rapaport

Greg Rapaport discusses the importance of maintaining your timing and rhythm while improvising.

June-July 2002
Joe Bochar

Joboj takes you through MIDI drums In 7222 characters or less (give or take).

June-July 2002
Shelby Williford

Guitarist Williford pushes the envelope with 4 note per string legato licks and sequences.

June-July 2002
Tim Sweeney

Indie marketing guru Tim Sweeney on getting the most from your hometown fans.

June-July 2002
Christopher Knab

Music industry guru Christopher Knab teaches you what it takes to compete for radio play.

June-July 2002
David Martone

Why your drum machine may be a demo-only tool, by Canadian guitarist David Martone.

June-July 2002
Miguel Mega

Even more ways to spice up our old pal: the Dorian mode.

August-September 2002
Bill Peck

The ins and outs of DVD authoring - it may be easier than you think.

August-September 2002
Greg Rapaport

Greg Rapaport talks about developing some serious synergy between the picking and fretting hands.

August-September 2002
Shelby Williford

It`s not Frankenstein or Dracula, simply more Greasy Fingers.

August-September 2002
Jamie Andreas

Virtuoso classical guitarist and instructor Jamie Andreas talks about the sticky topic that will energize your practice sessions.

August-September 2002
Tim Sweeney

Indie marketing guru Tim Sweeney on why perception may not always be reality.

August-September 2002
Paul Abbott

Ace mastering engineer and guitarist Paul Abbott helps you avoid a muddy, undefined low to low-mid sound.

August-September 2002
Christopher Knab

Music industry guru Christopher Knab talks about an overlooked area of importance, CD packaging.

August-September 2002
Miguel Mega

How to personalize and colorize our old friend - the blues.

August-September 2002
Mike Campese: The Fire Within

Learning the fretboard through scales by Mike Campese.

August-September 2002
Muriel Anderson

Using harmonics to get a great shimmering sound, from an award winning guitarist.

August-September 2002
Rick Del Savio

The changes to John Coltrane`s classic can result in inspiration for original solos.

August-September 2002
David Martone

Why you need a number of tones to impress, by Canadian guitarist David Martone.

Pages