Guitar Nine Columns: Guest Columnists

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Enjoy over 23 years of staff columns, guest columns, interviews and more!

December-January 2002

Steve Pappas is back with a beautiful Christmas carol arranged for solo fingerstyle guitar.

December-January 2002

Know who you are playing with before you play any super big, wide sounding chords.

December-January 2002

Get a grip, pencilneck! A solid way to strengthen your fretting hand.

December-January 2002

Getting a great signal from your guitar to your sound card, by Canadian guitarist David Martone.

December-January 2002

How to get big, fat rhythm guitars even bigger and fatter, and other panning tips.

December-January 2002

Music industry guru Christopher Knab reveals a tried-and-true method of getting more knowledge about the music business.

December-January 2002

Are you aurally challanged? Learn how to improve this vital skill.

December-January 2002

Indie marketing guru Tim Sweeney gets you to think beyond equipment and music-related companies.

December-January 2002

How to view frustration as a positive thing. No, really.

December-January 2002

How to avoid wasting your time learning things that will not help you achieve your goals.

December-January 2002

Which way do you swing? Ace mastering engineer and guitarist Paul Abbott discusses each platform`s unique capabilities and characteristics.

December-January 2002

Guitarist Jeff Scheetz` own blistering version of this holiday chestnut.

October-November 2002

Indie marketing guru Tim Sweeney on three little words that have a powerful meaning in your music career.

October-November 2002

Ace mastering engineer and guitarist Paul Abbott discusses how mastering can mean the difference between a good-sounding CD and a professional CD.

October-November 2002

Fatting up your recorded sound with real double tracking, by Canadian guitarist David Martone.

October-November 2002

How to develop the ability to use right hand figers along with the pick.

October-November 2002

Steve Pappas is back with another piece for solo fingerstyle guitar originating from Ireland.

October-November 2002

Gain control over your instrument and improve your ear for harmonies.

October-November 2002

More ways to master the fretboard through the use of the pentatonic scale.

October-November 2002

Greg Rapaport discusses advanced tapping forms.

October-November 2002

Virtuoso classical guitarist and instructor Jamie Andreas talks about a problem more common than anyone knows - and how to deal with it.

October-November 2002

Music industry guru Christopher Knab talks about how to deal with a record industry in turmoil.

October-November 2002

How to control a potentially rebellious picking hand.

October-November 2002

Hard questions to ask yourself before your next recording session begins.

August-September 2002

The ins and outs of DVD authoring - it may be easier than you think.

August-September 2002

Indie marketing guru Tim Sweeney on why perception may not always be reality.

August-September 2002

Ace mastering engineer and guitarist Paul Abbott helps you avoid a muddy, undefined low to low-mid sound.

August-September 2002

How to personalize and colorize our old friend - the blues.

August-September 2002

Why you need a number of tones to impress, by Canadian guitarist David Martone.

August-September 2002

It`s not Frankenstein or Dracula, simply more Greasy Fingers.

August-September 2002

Using harmonics to get a great shimmering sound, from an award winning guitarist.

August-September 2002

Learning the fretboard through scales by Mike Campese.

August-September 2002

The changes to John Coltrane`s classic can result in inspiration for original solos.

August-September 2002

Greg Rapaport talks about developing some serious synergy between the picking and fretting hands.

August-September 2002

Virtuoso classical guitarist and instructor Jamie Andreas talks about the sticky topic that will energize your practice sessions.

August-September 2002

Music industry guru Christopher Knab talks about an overlooked area of importance, CD packaging.

June-July 2002

Joboj takes you through MIDI drums In 7222 characters or less (give or take).

June-July 2002

Music industry guru Christopher Knab teaches you what it takes to compete for radio play.

June-July 2002

Neo-classical guitarist Tom Hess shows you how to select a good guitar instructor (and how to avoid a bad one).

June-July 2002

Why your drum machine may be a demo-only tool, by Canadian guitarist David Martone.

June-July 2002

Guitarist Williford pushes the envelope with 4 note per string legato licks and sequences.

June-July 2002

Even more ways to spice up our old pal: the Dorian mode.

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