Guitar Nine Columns

Displaying 1975 - 2016 of 4220

Enjoy over 25 years of staff columns, guest columns, interviews and more!

December-January 2009
Guy Pople

Guy talks about the odd, weird and even useful augmented chord.

December-January 2009
Tim Sweeney

Indie marketing guru Tim Sweeney with an old-school approach to boost show attendance.

December-January 2009
Lou Lombardi

Is the ability to write songs a gift, or can it be learned? Lou Lombardi has the answer.

December-January 2009
Guitar Haus

Most of the songs were the result of me sitting by myself in my living room and fiddling around with the bass guitar, completely directionless - which is the setting I find most conducive to songwriting.

December-January 2009
Jean-Pierre Zammit

Without stamina and strength, the fretting hand won`t respond and will let you down! Use Zammit`s trills workout to build your hand.

December-January 2009
Guitar Nine

Classical Folk To Blues, Rock To Jazz

December-January 2009
Guitar Nine

Instrumental Metal Mad Man

December-January 2009
Guitar Nine

Jazz Group With A Twist

December-January 2009
Guitar Nine

Real New Jersey Hard Rock

December-January 2009
Guitar Nine Newsroom

Guitar Nine Records December-January 2009 newsletter.

February-March 2010
David Martone

Canadian guitarist David Martone heads out to Eastern Europe and pieces together a mini-tour.

February-March 2010
Tommaso Zillio

Explore some other (more advanced) variations of the same sequence, with Tommaso Zillio.

February-March 2010
Ysrafel

Ysrafel explodes a few myths about learning music theory.

February-March 2010
Paul Tauterouff

Paul Tauterouff breaks things up a little bit to talk about some rockin` rhythm guitar ideas.

February-March 2010
Tim Sweeney

Indie marketing guru Tim Sweeney helps you find the blind faith that was once there.

February-March 2010
Mika Tyyska

A mind game method for creating the right solo for the song.

February-March 2010
Mike Campese: The Fire Within

Mike Campese helps you to increase your speed and technical facility.

February-March 2010
Tom Hess Opus 2

All of the things you need to do, or practice, in order to reach you playing goals.

February-March 2010
Christopher Knab

Music industry guru Christopher Knab tracks the shift from a "sales-to-a-customer" model to monetizing access to music.

February-March 2010
Josip Pesut

Get the most you can out of the rehearsal time you have scheduled.

February-March 2010
Mike O'Malley

Inspired by Jeff Beck`s cover of "A Day In The Life"? Learn how you can play more melodically.

February-March 2010
Dan Sorber

Ideas that make good melodic sense whether you play them fast or slow.

February-March 2010
Jean-Pierre Zammit

Zammit`s back with the first part of his challenging and beneficial chromatic exercises.

February-March 2010
Guitar Haus

Where did they all go? Quality conscious, savvy collectors are grabbing up the last of `em.

February-March 2010
Guitar Haus

Regardless of the economic slowdown, people tend to want to download a lot of their music for free, thus leaving artists without income that would be generated through royalties from CD sales.

February-March 2010
Scott Allen

Scott`s tackles the unteachable, and talks about adding bends, slides, and killer vibrato to your solo work

February-March 2010
Guitar Nine

Acoustically Combining Ethnic Influences

February-March 2010
Guitar Nine

Ambient Neo-Progressive Cyber-Rock

February-March 2010
Guitar Nine Newsroom

Guitar Nine Records February-March 2010 newsletter.

April-May 2010
Guitar Haus

Music is a language, it comes from your soul and your body. I`m not hung up on technique or theory; that`s why I love Santana as much as Vai. What they play just comes from the heart.

April-May 2010
Guitar Haus

When you hear generic music, you can bet the composer wasn`t inspired, rather they were stringing riffs together and trying to impress.

April-May 2010
Guitar Haus

One I stopped procrastinating and making excuses and decided that I really wanted to make an album that I would be the first in line to buy - an album that really excited my heart.

April-May 2010
Guitar Haus

A great solo works like a powerful and moving speech. Something that grabs your attention, keeps you interested, tells a story, and wraps up leaving you feeling like you got something from it.

April-May 2010
David Martone

Canadian guitarist David Martone has been busy lately, and has a full clinic schedule this summer.

April-May 2010
Mike Campese: The Fire Within

Mike Campese gives you exercises and tios on how to pedal your way to musical nirvana.

April-May 2010
Mike O'Malley

Don`t let yourself get worse but not trying to get better.

April-May 2010
Ysrafel

Ysrafel covers vibrato technique in great detail in this informative lesson.

April-May 2010
Tom Hess Opus 2

Tom Hess offers three reasons why you may not be getting big results from taking guitar lessons.

April-May 2010
Tommaso Zillio

Music is a synthesis of technique and art; making sure you include both in equal measure.

April-May 2010
Christopher Knab

Music industry guru Christopher Knab delivers the truth to a lot of musicians who may not be ready to hear it.

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