Guitar Nine Columns

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Enjoy over 25 years of staff columns, guest columns, interviews and more!

February-March 2004
Guitar Nine

One Of New York's Best Kept Secrets

February-March 2004
Guitar Nine

Mixed Bag Of Metallic Instrumentals

February-March 2004
Guitar Nine

Soloist Adept In Jazz, Latin, Funk & Pop

February-March 2004
Guitar Nine

Superb Italian Instrumental Rock

February-March 2004
Guitar Nine

Playing With Technique And Passion

February-March 2004
Guitar Nine

Argentinian Metalizes Paganini

February-March 2004
Guitar Nine

Acoustic Bluegrass From Barcelona, Spain

February-March 2004
Guitar Nine

Finnish Guitarist Releases Rock Demo

April-May 2001
Dan Lambert

How to give restaurant patrons a reason to come for the music - in addition to the meal.

April-May 2002
Drew J. Garafola

Keeping your precious recorded output at the industry standard level of quality has many benefits.

June-July 2000
Guitar Haus

I never thought I`d be CEO of Virgin Independent, nor would I want to. I had material to release. No major or indie label wanted to hear about it, so I did it myself. And let`s face it: guitar music is a tough sell, so most majors won`t cut you any slack.

June-July 2000
Randy Allar

I love it at home, but you can`t play here. You can`t play in L.A. every night. We`re lucky to play once a week here. It`s just the nature of being a musician. People won`t pay to see you every single week. You have to travel and change your audience to be able to play every night.

June-July 1997
Guitar Nine

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June-July 1997
Guitar Nine

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April-May 2004
Guitar Haus

Being independent allows you to totally escape A&R, and do whatever you want. In the next three years I am releasing a solo acoustic guitar record, a fusion record, and a record with no guitar on it. I would never be allowed to do that with PolyGram. Being independent allows you to always be in control of your own music.

April-May 2004
Fc Bester

Audio mastering specialist FC Bester joins us for an introduction to this often misunderstood subject.

April-May 2004
Tom Hess Opus 2

Tom Hess is back with a second installment on how creativity can be enhanced to improve songwriting and improvisation.

April-May 2004
David Martone

A road map for getting from song conception to the big mix, with Canadian guitarist David Martone.

April-May 2004
Tim Sweeney

Indie marketing guru Tim Sweeney discusses the importance of connecting with your audience.

April-May 2004
Christopher Knab

Music industry guru Christopher Knab teaches you the proper form for a press release geared towards movers and shakers in the music industry.

April-May 2004
David Vincent Jones

Guitarist Neil Brocklebank`s logistics manager discusses the role of marketing in an independent artist`s strategic toolkit.

April-May 2004
Mike Campese: The Fire Within

Mike Campese turns the tried and true triad into an improvisational treat.

April-May 2004
Peter Stankov

How picky is too picky when recording your music; an opinon by Peter Stankov.

April-May 2004
Dan Keller

Let the Sultan of String take you on the exotic scale ride of your life.

April-May 2004
Randy Ellefson

Creating a fuller, chock full o` tone sound with double-tracking. Play it again, Randy.

April-May 2004
Guitar Nine

Frightening Chops Abound At The Baked Potato

April-May 2004
Guitar Nine

Musical Impressionism With Acoustic Guitar

April-May 2004
Guitar Nine

Going Beyond Categorization With First CD

April-May 2004
Guitar Nine

Persisting With A Hard Rock Vision

April-May 2004
Guitar Nine Newsroom

Guitar Nine Records April-May 2004 newsletter.

February-March 2004
Guitar Nine Newsroom

Guitar Nine Records February-March 2004 newsletter.

December-January 2003
Guitar Nine Newsroom

Guitar Nine Records December-January 2004 newsletter.

October-November 2003
Guitar Nine Newsroom

Guitar Nine Records October-November 2003 newsletter.

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