Guitar Nine Columns

Displaying 1135 - 1176 of 4220

Enjoy over 25 years of staff columns, guest columns, interviews and more!

October-November 2003
Jonathan Wilson

A celebration of "functionally unusual" guitars, their utilitarian purpose, and the visionaries behind their design.

October-November 2003
David Vincent Jones

Guitarist Neil Brocklebank`s logistics manager has some advice for you if you stubbornly intend to pursue a life-style fully supported by that original material only you believe in.

October-November 2003
Tim Sweeney

Indie marketing guru Tim Sweeney discusses why your home city is one of the most critical to your success.

October-November 2003
Jamie Andreas

Virtuoso classical guitarist and instructor Jamie Andreas on how to make progress, real progress, in your abilities.

December-January 2003
Mike Campese: The Fire Within

Mike Campese is back with powerful compositional tool (and a play out of Satriani`s playbook).

December-January 2003
Tim Sweeney

Indie marketing guru Tim Sweeney discusses the biggest mistake bands using e-mail.

December-January 2003
David Vincent Jones

Guitarist Neil Brocklebank`s logistics manager talks about the concept of the iconic guitar figure who influences the way we play.

December-January 2003
Jamie Andreas

Virtuoso classical guitarist and instructor Jamie Andreas answers the burning question.

December-January 2003
Christopher Knab

Music industry guru Christopher Knab has practical advice on selecting the right entertainment attorney.

December-January 2003
Tom Hess Opus 2

Tom Hess is back with the twenty concepts you need... and the five things to forget.

December-January 2003
David Martone

Insider tips on selecting a useful mic, with Canadian guitarist David Martone.

December-January 2003
Jonathan Wilson

The Mutant Guitar series would be void and incomplete without mention of Emmett Chapman and his creation.

December-January 2003
Michael Knight

Michael Knight looks at the elements of composition as they relate to the guitar solo.

December-January 2003
Greg Brown

Greg Brown talks about tapping into the power of visualization.

December-January 2003
Randy Ellefson

How do you write something fast, expressive and musical? Randy Ellefson is here with some tips.

December-January 2003
Martin Schmidt

I just wanted to explore a mellower kind of psychedelic thing on the last record. There¥s some great stuff on it. It got really great reviews in the United States, all over the place. But the record company actually fell apart and now it¥s not even available.

December-January 2003
Guitar Nine

Heavier Than Typical Progressive Metal

December-January 2003
Guitar Nine

Aggressively Hopped, Full-Bodied Metal

December-January 2003
Guitar Nine

Excellent Guitar Work Supports Rock/Pop Release

December-January 2003
Guitar Nine

Making Jazz The Way It Used To Be Made

December-January 2003
Guitar Nine

Capturing Guitar Acumen In A Pop Format

December-January 2003
Guitar Nine

A Fingerstyle Guitar Showcase

December-January 2003
Guitar Nine

Exploring Neo-Classical Influences

December-January 2003
Guitar Nine

Progressive Metal, Texas-Style

December-January 2003
Guitar Nine

Appealing To Guitarists & Laymen Alike

December-January 2003
Guitar Nine

Guitar-Driven Electronica

December-January 2003
Guitar Nine

Country/Blues Instrumental Mix

December-January 2003
Guitar Nine

Blazing Instrumental Shred From Italy

February-March 2004
Martin Schmidt

I run my business, do my own booking, I do everything! We don`t have no managers, no agents, none of that. That`s what I tell these kids now. You`re better off making your own record, selling it at your own place and owning the rights to your own records.

February-March 2004
Guitar Haus

Of course besides the music, there is another very important part of your musicianship, which is to learn how to market yourself. It all starts with acting professional, being on time, learning your parts. Learn to ask for advice when you need it from players that have more experience than you.

February-March 2004
Guitar Haus

Try to become proficient in marketing, and develop a keen business sense. This includes your recordings, music book publishing, other merchandising endeavors, etc. The music industry is a very, very tough one, and it takes serious dedication and an unbelievable work ethic to survive.

February-March 2004
Christopher Knab

Music industry guru Christopher Knab provides a basic outline to the key parts of a recording contract.

February-March 2004
Mike Campese: The Fire Within

Mike Campese shifts into high gear with these high tech shred licks.

February-March 2004
David Martone

Useful tips on miking up a full drum kit, with Canadian guitarist David Martone.

February-March 2004
Tom Hess Opus 2

Tom Hess discusses how creativity can be enhanced and stimulated to improve songwriting and improvisation.

February-March 2004
Dan Lambert

Dan Lambert with a story about gigging abroad.

February-March 2004
Bryon Thompson

Bryon Thompson on discovering new ways of writing stronger and more original material.

February-March 2004
David Vincent Jones

Guitarist Neil Brocklebank`s logistics manager talks about the difficulties facing a small time touring band.

February-March 2004
Tim Sweeney

Indie marketing guru Tim Sweeney discusses how to get the most from your Internet presence.

February-March 2004
Guitar Nine

Communicating Beauty, Peace, And Joy

February-March 2004
Guitar Nine

Having The Guts To Play What They Feel

Pages