Guitar Nine Columns: Guest Columnists

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Enjoy over 24 years of staff columns, guest columns, interviews and more!

August-September 2005

How well do you know the people that come to your shows? Indie marketing guru Tim Sweeney thinks you should know them well.

August-September 2005

Got amp? Need tone? Tips for a great electric guitar sound.

August-September 2005

Music industry consultant Christopher Knab with questions that are useful for any serious, business-minded artist or band.

August-September 2005

How to be prepared and to know what situations can await you in the world of studios, producers, broken cables and detuned guitars.

August-September 2005

Yes, it is possible to have recordings that sell in great enough number to be a successful instrumentalist.

August-September 2005

Can you benefit from a four-year music education? Part 2 of the series.

August-September 2005

Mike Campese with more examples of getting many unique sounds out of just one scale.

August-September 2005

A very challenging, but rewarding technique, with guitarist Mick Neil.

August-September 2005

Five pages of ii-V-I-VI etudes, in all twelve keys.

August-September 2005

Virtuoso classical guitarist and instructor Jamie Andreas is back discussing the importance of good practice habits.

June-July 2005

Virtuoso classical guitarist and instructor Jamie Andreas can help you `manage` the process of changing bad playing habits.

June-July 2005

When to crank the gain, and when to back off, with Canadian guitarist David Martone.

June-July 2005

What separates those who do from those who don`t? Here`s how you can succeed where others have failed.

June-July 2005

Making an acoustic guitar sound good in the mix, part deux.

June-July 2005

Indie marketing guru Tim Sweeney puts a definition on all the things to which a creative musician may aspire.

June-July 2005

Music industry guru Christopher Knab presents his collection of quotes - reading them will be a college education.

June-July 2005

Can you benefit from a four-year music education? Let`s explore the options.

June-July 2005

Guitarist Paul Kuntz is back, after an almost 7 year absence, to talk modes.

June-July 2005

Mike Campese demonstrates that you can get many unique sounds out of just one scale.

June-July 2005

A whole lot of great information about how to get new uses out of the pentatonic scale.

April-May 2005

Jazz/funk/fusion guitarist John Drew guides you through the ups and downs of one representative musician`s career path.

April-May 2005

Ready to quit your day job? Get some thoughts and advice first, from one who`s done it.

April-May 2005

If you learn other peoples solos or listen to other people`s music, will it ruin your own creativity? Scott Tarulli gives his personal opinion.

April-May 2005

Mike Campese blazes through exercises from his all new CD, entitled "The New".

April-May 2005

Hess guitarist Mike Walsh has got a great use for your next spare Benjamin.

April-May 2005

Recording a live show, what can go wrong, will go wrong, with Canadian guitarist David Martone.

April-May 2005

Virtuoso classical guitarist and instructor Jamie Andreas helps you define the role of a good guitar teacher.

April-May 2005

Indie marketing guru Tim Sweeney speaks to musicians about how loss of control leads to poor results and a lack of accomplishment.

April-May 2005

Music industry consultant Christopher Knab shows you how to make your bio informative, upbeat, motivational and useful.

April-May 2005

Guitarist Jeff Lawrence talks about the many benefits of fretboard knowledge.

April-May 2005

Guitarist A-J Charron is here with his ideas on writing from the heart (not the checkbook).

April-May 2005

Now you`ve got a good recorded acoustic guitar sound, let`s make sure it sounds good in the mix.

February-March 2005

Scott Tarulli offers great suggestions on keeping your eye on your goals for self-improvement.

February-March 2005

Drew Vics stresses the importance of a good foundation.

February-March 2005

Audio mastering specialist FC Bester cuts right to the chase on what to do before sending off your project to a mastering facility.

February-March 2005

Indie marketing guru Tim Sweeney discusses common mistakes artists make that limit their impact, their sales and their future.

February-March 2005

Mike Campese opens 2005 with a great workout for your pickin` hand.

February-March 2005

Hess guitarist Mike Walsh returns with an essential list of items you`ll need for your live shows.

February-March 2005

Music industry consultant Christopher Knab tests your knowledge of key public relations concepts.

February-March 2005

Interested in an aural and methodical inspiration? Let the Sultan of String show you his thematic ideas.

February-March 2005

Virtuoso classical guitarist and instructor Jamie Andreas believes organization is power. Soon, you will too.

February-March 2005

Hot tips on triggering kick drum samples for a great low end, with Canadian guitarist David Martone.

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