Guitar Nine Columns: Guest Columnists

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Enjoy over 24 years of staff columns, guest columns, interviews and more!

April-May 2005

Hess guitarist Mike Walsh has got a great use for your next spare Benjamin.

April-May 2005

Recording a live show, what can go wrong, will go wrong, with Canadian guitarist David Martone.

April-May 2005

Virtuoso classical guitarist and instructor Jamie Andreas helps you define the role of a good guitar teacher.

April-May 2005

Indie marketing guru Tim Sweeney speaks to musicians about how loss of control leads to poor results and a lack of accomplishment.

April-May 2005

Music industry consultant Christopher Knab shows you how to make your bio informative, upbeat, motivational and useful.

February-March 2005

Scott Tarulli offers great suggestions on keeping your eye on your goals for self-improvement.

February-March 2005

Drew Vics stresses the importance of a good foundation.

February-March 2005

Audio mastering specialist FC Bester cuts right to the chase on what to do before sending off your project to a mastering facility.

February-March 2005

Indie marketing guru Tim Sweeney discusses common mistakes artists make that limit their impact, their sales and their future.

February-March 2005

Mike Campese opens 2005 with a great workout for your pickin` hand.

February-March 2005

Hess guitarist Mike Walsh returns with an essential list of items you`ll need for your live shows.

February-March 2005

Music industry consultant Christopher Knab tests your knowledge of key public relations concepts.

February-March 2005

Interested in an aural and methodical inspiration? Let the Sultan of String show you his thematic ideas.

February-March 2005

Virtuoso classical guitarist and instructor Jamie Andreas believes organization is power. Soon, you will too.

February-March 2005

Hot tips on triggering kick drum samples for a great low end, with Canadian guitarist David Martone.

February-March 2005

How limitation can actually be the vehicle that propells one toward their own statement of purpose.

December-January 2004

Hess guitarist Mike Walsh explains why high caliber playing is important to self-expression.

December-January 2004

Canadian guitarist David Martone has some great ideas for all your spare video footage.

December-January 2004

Let guitarist Alan Lennon take you through the basics of writing songs, starting with the fundamentals of chord progressions.

December-January 2004

Indie marketing guru Tim Sweeney talks about the importance of commitment.

December-January 2004

How about a career as a professional transcriber and arranger? Let`s discuss.

December-January 2004

Are you persistent? Guitarist Neil Brocklebank`s logistics manager gives you a heads up on dealing with 99% of music business personalities.

December-January 2004

Want to make a great impression with your music? Or would you rather wrap fish? Check out Metal Mike`s advice.

December-January 2004

You`ve had it, you know you have.

December-January 2004

Music industry consultant Christopher Knab comments on both mythological and practical keys to success.

December-January 2004

A practical approach to getting a good recorded acoustic guitar sound.

December-January 2004

Neo-classical guitarist Tom Hess weighs in on the debate over DIY or professional instruction.

December-January 2004

Bassist and guitarist Mark Carozza lays out some of his tried and true rut-busting ideas.

December-January 2004

More ideas on how you can add a really cool twist to your playing.

December-January 2004

Kevin Ferguson, devotee of complex time signatures, reveals how you can master this area of technique.

October-November 2004

Music industry consultant Christopher Knab shares his crazy, bizarre and clueless electronic correspondence.

October-November 2004

Canadian guitarist David Martone`s thoughts after a successful summer tour.

October-November 2004

Virtuoso classical guitarist and instructor Jamie Andreas is back with tips on a technical area that is of major concern to players

October-November 2004

Do you want to play arpeggio-like melodies with "ear-caching" tensions? Let the Sultan of String show you how.

October-November 2004

How using only two fingers creates more advanced possibilities for interval riffs.

October-November 2004

Indie marketing guru Tim Sweeney talks about alternate ways of interpreting both positive and negative feedback.

October-November 2004

What Dan`s learned, from beginning on an instrument - to sustaining a career.

October-November 2004

Don`t try to do it all! Guitarist Neil Brocklebank`s logistics manager discusses the importance of a great support crew.

October-November 2004

Hess guitarist Mike Walsh can`t stress enough the importance of a music education.

October-November 2004

Instrumentalist Joe Bochar, AKA Joboj, plants tongue firmly in cheek to help you burn up the fretboard.

October-November 2004

Ivan Bertolla is here to help you move music composition outside the normal I IV V zone.

October-November 2004

Do you know them? You must know them! Check out Mike Campese`s essential scales review.

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